Dream to Reality

Padres Garden - 12x16 oil on canvas panel- ©TheresaGrilloLaird
$425 - Click here to purchase

When I was a little girl of seven and already knew what I wanted to do with my life, my mother gave me a Walter Foster art instruction book. I couldn't read well enough to follow the directions but I poured over the pictures. I spent a lot of time staring into a painting of a desert scene with cactus. The colors were bright but pale and a sharp edged brilliant light washed over the whole scene. But the picture in the booklet that always stopped me in my tracks was a painting of a mission building. My eyes wandered down a long corridor with arched openings. Flowers and a garden under a blue sky could be seen through the archways. Everything was bathed in warm colors and sunshine. I dreamed of walking the length of that shaded corridor with it's pots of flowers.

After so many years of dreaming, I finally made it to California four years ago. Chance landed me on the central coast. One day, my explorations brought me over the Santa Lucia Mountains and into a valley. The valley is called Valley of the Oaks and it had been chosen by the Padres as the site of the third mission in the path of missions that are such an integral part of California's history. 

As I learned more about the mission, I also learned that it's in very real danger of being closed to the public unless enough funds can be raised to do an extensive earthquake retro-fit of the structure.

The above painting, Padres Garden, is the third painting I've completed of San Antonio de Padua Mission and I'm offering giclee prints of it. Go to my print site to view the category Help Save this Mission. 25% of the purchase price of any mission print will be donated to the restoration efforts. Click here to read about the mission, and here to go to my print store.

California Dreaming

Evening Meditation - Oil on Canvas Panel - 11x 20
© T Grillo Laird 2014

As much as I love My Florida Gulf Coast home with it's white sand beaches and emerald water, every part of my artist's soul longs for the California Coast. From the first time I saw the coastal region between San Luis Obispo and Monterey just four years ago, I knew I'd found the place I belong. But I'm not  in my twenties anymore and family obligations have piled on together with the years. I can't in good conscience walk away from everyone and do as I please as I might have done not too long ago. So each time I have the opportunity to travel to the coast, I make the most of it. There many painting spots I've set aside for future trips and some that I've managed to make it to. This little spot is one of those.

My view

When I set out from Templeton in mid afternoon, it was 94 degrees. A 20 minute drive over the mountains and through the pass brings you to the coast. I couldn't believe the temperature change at the coast. It was in the mid fifties!
I love the drive along Highway One from Cayucos to just south of Ragged Point. There are plenty of places to pull over to walk along the coast or enjoy the view from a high point. I like this spot near San Simeon because a short climb down the rock face brings you to a narrow rock strewn beach between the water's edge and the steep rock face.Since most people prefer the view from the parking lot above, you can work in relative privacy tucked up against the rock face. It's a peaceful spot.

I had already climbed back up with my painting and some gear when I thought to stop and take this shot. The light was fast disappearing.

I started Evening Meditation on site a little more than a year ago. At that time I was still unable to complete a painting on site before the light changed. I'm happy to say that I've gained that skill since, so I'm really looking forward to my next trip.

After finishing the improvements on my studio this month, I was able to organize my unfinished pieces. I'll be going through them one by one and finishing the promising ones. I'm not worried about ruining these half finished pieces, which gives me a real sense of freedom to see what I can turn them into.  

On the Coast

What an amazing week on the central coast of California! It was hotter and dryer than past spring trips, so for the first time I saw the golden hillsides covered in yellow flowers and blue lupine that are in so many of the paintings by the California impressionists.
In between working on property maintenance and taking care of business, I painted. By the end of the week I had five new paintings that will need  finishing. This one was painted from an orchard in Templeton looking across neighboring ranches towards the Santa Lucia mountains.

I didn't block in the foreground because I needed to stop to think whether the painting needed the orchard trees that were actually there. It doesn't. And it doesn't need a lot of the other details that were there either. Already unfinished it has the feeling of restful peacefulness of an earlier time that I always feel when I'm in this part of California.
I found some great painting places on this trip that I didn't know about before. I also revisited Mission San Antonio de Padua. I'll be using my art to help in the preservation efforts of that mission. You can help too! More about that later. In fact, there is so much to share about this past trip, that I'm starting a special Thursday feature with posts specifically about the central coast. Please don't be shy about adding your own comments or questions!

California Bound!

A week from today I will be in my absolute favorite place to be - the central California coast! l'm excited to be returning to a place I feel I truly belong. I haven't decided on my painting spots yet because the possibilities are so numerous and my time there so short. 
There is some kind of magic to the land there. The sights and scents and light of even the most mundane scenes, remains imprinted in my memory like a series of movie stills. These encapsulated images float into my mind frequently with such detail and clarity that if I closed my eyes I'd swear I was right there. In all my travels, I've never experienced this phenomena anywhere else. There's something else too I haven't seen since early childhood. The images from my earliest memory of what I saw around me when I was outdoors, are filled with a soft hazy golden light. The air hasn't looked like that to me since my pre-school years. I thought my eyes had changed. But on my first trip to the central coast three years ago, I was amazed to see that light again! It's there all the time. I haven't been able to capture it yet,but I dream of being able to spend my days wandering the rocky coast and mountains chasing that golden light in paint.

Cayucos Sunset - oil on canvas panel - 12x16
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Eucalyptus Trees - Oil on canvas panel - 11x14
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The Language of Artists

Today I was talking to a woman about painting. She is not an artist but she's always wanted to learn to paint. As we talked about colors and brushwork and different styles of expression, her eyes lit up and she grew animated. We were speaking the same language even though she had never painted! It occurred to me how important it is to spend time with people who speak your language. They Get it. Painting is such a solitary profession. Even though I'm surrounded by supportive family and friends, I usually see their eyes glaze over when I'm enthusing about some great art observation or discovery. They don't hear or see the same language.
It's interesting that the French Impressionists who were friends with each other in youth and even painted the same scenes side by side, worked in isolation as they got older. Monet even asked his dealer at one point to not reveal to Renoir where he was going on a painting trip so that he could work alone. Yet they still would get together in Paris from time to time to hang out and talk about art and artists. I suspect that they left these dinners renewed and re energized and ready to get back to work. 

April Rain in the Valley of the Oaks

Do you want to help keep this beautiful mission open? It will be closed unless funds can be raised to do an earthquake retro-fit. Purchase a print of this image and 20% will go towards the conservation project. Click here for information.  Click here to purchase a print. Thanks for helping!

From the Back Burner Day 22 - 30 Paintings in 30 Days

My challenge painting today is again from the California Coast. Every time I visit, I take a drive on highway one through Big Sur. I like to leave early to make the most of the day outdoors. The road is very winding and hilly and around each bend is a vista more beautiful than the one before. In the morning a dense fog hangs over the coastline and roadway. Gradually the light becomes brighter and finally you're rewarded with a glimpse through the fog of an impossibly blue sea far below sparkling like crushed jewels. By noon the fog is gone and the views are a painter's paradise. I could spend years looking at the ocean from these mountainside perches and never grow tired of it.

Morning Fog - oil on linen panel - 9x12
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From the Back Burner - Day 11 - 30 Paintings in 30 Days

The gymnastics I went through today to photograph my challenge paintings, would have done Bela Karolyi proud. The light has been throwing so much glare on the paintings that the colors don't show up properly. Today I found myself balancing atop a chair, while clutching the tripod and trying to shoot the work flat on the ground. Still no luck. So until I set up a new photography station, I won't be posting these paintings on my web page.

For today's challenge painting, I chose a photo from my absolute favorite place to be - the central California coast. It's a different experience for my east coast eyes, to see the sun set over the ocean. Another thing that fascinates me is the way the waves come in from way far out with a lot of space between them and over such a far reaching expanse of sand, that you can walk way out and still be only ankle deep in water. At sunset, the show is especially spectacular. It's like walking through liquid jewels in a dazzling light. Magical! What I would give to be able to spend months out there!

West Coast Sunset - oil on canvas panel - 11x14
$325

Here is yesterday's challenge piece. Please contact me if you are interested in either piece.

Afternoon Shadows - oil on canvas panel - 7x9
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From the Back Burner - Day 18/19 - 30 Paintings in 30 Days

 This challenge painting took two days to finish. It's a painting I've had in mind for a while.Two years ago, I had just made my first and so far, only trip to Monterey and Carmel. After a day of touring these two spots, my husband and I had just enough time to stop briefly in Pacific Grove. This beautiful town has stayed vividly in my mind ever since. The waterfront is a painters dream with rocks, jewel-toned water and carpets of flowers everywhere. Craft style houses, my favorite architectural style, line the coastal roadway. The late afternoon light on that day was warm and inviting. Another California Paradise!

Pacific Grove - oil on canvas panel - 12x16
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From the Back Burner - Day 17 - 30 Paintings in 30 Days

One of the many things I like about central California is the eucalyptus trees. They're unlike any tree on the east coast. They look green, silver and red all at the same time and the rustle they make in the wind is almost musical. I discovered that there are a few different kinds. My favorite have long oval leaves like the ones at William Hurst Memorial Beach which inspired this painting. As soon as I got out of the car there, I asked what is that amazing scent? They have an unusual scent as fresh as the ocean. I wanted to take a piece of that home with me to Florida so I went to a plant store to try to buy one. I could have spent all day there wandering among the flowers and plants that don't exist in Florida. When I found the plant expert and asked about buying a eucalyptus tree, he laughed and said they grow like weeds. No one buys them. I carried some cut branches home with me to paint but away from their home, the magic was gone.

Eucalyptus Trees - oil on canvas panel - 11x14
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From the Back Burner - Day 15 - 30 Paintings in 30 Days

Here in the northeast, I haven't seen the sun for more than two weeks. Maybe that's why I'm dreaming of sunny California. Today's painting , A Piece of the Rock, is from a photo I took in Morro Bay. There's a huge rock there sometimes referred to as the Gibraltar of the West. You can see it from miles away. In fact, I frequently stop at a high point on the way back to Templeton, to see Morro Rock in the distance bathed in mist and the pink light of sunset beyond ridges of green hills. But that's another painting waiting to be made. As large as Morro Rock is - my painting shows only a tiny piece of it - It's actually the relatively small plug of an ancient volcano. The remnants of part of that volcano form the shape of the coastline of Morro Bay. At one time, the rock was quarried. Now it's a sanctuary for sea birds. A narrow drive goes about three quarters of the way around the rock. It's amazing to look high above and see hundreds of birds perched on ledges like people on the balconies of a luxury high-rise. 

A Piece of the Rock - oil on linen panel - 9x12
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From the Back Burner - Day 14 - 30 Paintings in 30 Days

It's day 14 of the challenge and for the first time, I've fallen behind. I finally crashed after 13 days of painting til dawn. I made it to 3 AM and with my painting only half done, I went to sleep.
Managing my time is turning out to be for me the most difficult part of this challenge.
I'm still playing with the store-bought linen and canvas panels that I was getting ready to throw in the garbage early in the challenge. I won't buy them again but I have found that they are much easier to work with by using soft sable brushes instead of bristle brushes.
Today, it was dark and grey as ever, but I made an interesting discovery. I took day 13's painting outside to photograph it, and was surprised to find that the colors showed up as well as on a clear day. So, here it is. The photo reference is from the town of Cayucos. Every chance I get to visit the family house in Templeton, I make sure to include a visit to Cayucos and Morro Bay. Have I said how much I like it there? - I'd have moved to the coast yesterday if I had no ties or duties.

Cayucos Sunset - oil on canvas panel - 12x16
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Painting the Familiar vs the Less Familiar

Island in the Bay-oil on canvas-24x36-to purchase contact Patina Art Gallery 251 928 2718

I think most artists welcome the stimulus of painting in an unfamiliar place. This recent painting is of the coastal area where I live in the Florida Panhandle. The coastal environment was new to my eyes when I moved here in 2003. I've always been a mountain and woods kind of person and initially I didn't like the wide open flatness and eye searing light of my new home. But I've come to love the quiet beauty of the beaches and dunes. When I want to paint water, there are rivers, bayous, bays and the Gulf. The familiarity I've gained with my new home, finds it's way into the paintings of it.
I also love my second home on the central California Coast that I visit once or twice a year. In all my travels, I've never found a land that appeals to me as much as the area around Big Sur. But when I paint scenes of Big Sur and Cambria and Morro Bay, it's with the unaccustomed eyes of a visitor.

 Painting the less familiar gives you the child like freedom of painting without the prejudices of knowing what it's "supposed to" look like. Still, I admire the easy familiarity people like Frank Serrano or Jeff Horn and many other coastal painters of California, have with their subject. Frank Serrano captures perfectly the veil of  atmosphere that hangs almost constantly above the rocky cliffs. I'd love  to spend more time there studying the softly colored haze to better capture it. Jeff Horn sees his homeland in the same jeweled tones that excite my eye when I see the coast, and states his vision with appealing clarity. I hope in the not too distant future to spend some serious painting time there learning the feel of the land as comfortably as I have my Florida home. In the meantime, I'll continue painting where ever my feet land!

Do You Live in A Painter's Paradise?

Let me introduce myself. I am an artist living and working in Gulf Breeze, which is a small city next to Pensacola Florida. This is my new blog where I'll write about the things that I think would interest other artists and collectors about art life.

I paint every day.One of my favorite places to paint is the Gulf Islands National Seashore.This National Park with it's white sand beaches and emerald water,is only a 5 minute drive from my front door.



                                                                                    "Dunes at Fort Pickens" 
                                                                    (24x36)
                                                                               


Pensacola is a beautiful place to live and work. A painter never has to look far to find inspiration. From Gulf to bay to bayou, I welcome the challenge of painting water that looks different from minute to minute .




For a few short weeks during the last 2 years, I've lived in Templeton, California on a small peach orchard. It's a short and scenic ride from there to  coastal towns like Morro Bay, Cambria and San Simeon. San Simeon marks the southern edge of Big Sur, my favorite  painter's paradise.  I could happily live and paint for many years anywhere on the coast from Cambria to Carmel.  

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"Looking West" Julia Pfeiffer State Park  
(30x40)
                                                                                   











Where is your favorite painter's paradise?